|Still from the Pentatonix video “Hallelujah”.|
(Image courtesy of Billboard.)
Recently, the Texas a cappella quintet Pentatonix released a cover of Leonard Cohen’s 1984 song “Hallelujah”, which at 300 covers and counting may be the most re-recorded single in popular music history. My sister Peggy came across the official video on a Christian website and linked the page to her Facebook feed. Our parents sang in barbershop choruses when we were growing up, and we both sang in high school choruses, so we both appreciate good vocal music.
To be honest, I don’t think I’ve ever listened to the song the whole way through before. I’ve seen Shrek only once — the penalty of never having your own children and living hundreds of miles away from your siblings’ kids; since I didn’t remember it was featured in the soundtrack, it must not have made a big impression on me at the time. Since then, I’d heard the first and second verse here and there, but not performed in any way that would grab my attention. But I’ll listen to anything Pentatonix records, even “Twinkle, Twinkle, Little Star”. They’re that outstanding.
Listening to the Pentatonix version did more than wring out tears. I realized I’d heard the song before, but I’d never listened to it. It’s more than a love song; it’s an epiphany.
This world is full of conflicts and full of things that cannot be reconciled, but there are moments when we can transcend the dualistic system and reconcile and embrace the whole mess, and that’s what I mean by “Hallelujah.” That regardless of what the impossibility of the situation is, there is a moment when you open your mouth and you throw open your arms and you embrace the thing and you just say, “Hallelujah! Blessed is the name.”…
The only moment that you can live here comfortably in these absolutely irreconcilable conflicts is in this moment when you embrace it all and you say, “Look, I don’t understand a f**king thing at all — Hallelujah!” That’s the only moment that we live here fully as human beings. (Leonard Cohen, quoted in Rolling Stone, “Book Excerpt: Leonard Cohen’s ‘Hallelujah’ in ‘The Holy or the Broken’”)